Drooling in Paris.

Paris Motor Show – Mondial De L’Automobile 2010

What better way to aquaint ourselves with the latest offerings from the World's car makers than a trip to Paris in a Maserati..?

Alex Wakefield reports..

This very nearly didn’t happen.

Three hours after leaving our hotel, a theoretical ten minute drive from the Paris Expo centre at Porte De Versailles, we are still circling the showground, desperately hunting for a parking space. It had made sense to travel by Maserati GranSport the night before, sailing down the empty Autoroutes into Paris but as we inched forward towards the already full car parks, the heat from the exhaust system started to find its way into the cabin and the CambioCorsa gearbox began to complain. A smell of clutch filled the air in our locale.

But then a break – a shortcut out of the city passing the very last car park and a quick word with the parking attendant revealed that there were four spaces left in the whole park. We got the last one and, revelling in our good fortune made our way into the show. Another five minutes and you would be reading about the Eiffel Tower.

It’s clear that the Parisians love their motor show. A bi-annual event, it draws crowds from far and wide including ourselves. Basically, it’s now our local motor show. It’s very hard to think of somewhere, in London certainly that has the space to host this size of event. That it can be done so close to the heart of Paris is quite remarkable. There are people everywhere.

This is the second weekend of the show and coming on a day like this was always going to be a bit of a mistake. It was a warm, sunny day too – adding to the crowds no doubt.

We made our way to Lamborghini’s stand first. These days, the only way you can do this is with an invite. For those lucky enough to have one, it’s fantastic. For those without, on a busy Saturday you will be lucky if you manage even to be able to take a decent photo of what’s there. From the stand, we have a fantastic opportunity to see what has been presented. There are two Gallardos, but the focus is the amazing Sesto Elemento concept.

About the same size as the Gallardo, there is a clear family resemblance but this car is all about future direction for Lamborghini. It also explains why there is no Murcielago present. Production stopped months ago, to clear the decks for an almost entirely new factory concentrating on the carbon fibre replacement for the old 12 cylinder, range-topping monster. Lamborghini have invested tens of millions of Euros into the future of their supercar and the Sesto Elemento hints at what is to come.

A carbon fibre tub and cladding reduce weight, the core of the car being very evident on squinting though the window. The potential of the car is mouth-watering but alas, this must remain a product for the show stands. At Geneva 2011, you can expect to see some of the features of this car on the long awaited Murcielago successor, which will share the concept’s weight reduction almost certainly to a significant advantage in performance, and manoeuvrability.

Expect to see the double bubble roof and certain stylistic features too. We are assured the new model will feature an enormous integral rear wing, something in the region of 700BHP and a superfast paddle shift gearbox as standard equipment. The new architecture will make the cabin a less claustrophobic place to be, although purists will be pleased to hear that the trademark scissor doors remain.

A short walk round to the Bentley stand and the environment changes from the intense to the serene. We are shown around by the company’s representative who tells us about the new Continental Coupe.

It is the first in a revised Continental line that will see convertible and Flying Spur models eventually revamped and at first it is difficult to see the difference. But a few rotations of the display model show the car to have a wider, lower and meaner stance. Attention has been paid to the front and rear lighting area to maintain the family appearance which has recently been bolstered by the presence in the range of the new Mulsanne. The interior features a new TFT screen and navigation system but retains the charm of the original without feeling overly retro. It’s an appealing place to spend time, very much like the car it replaces and it’s clear that the people at Bentley have thought long and hard about what their customers want. The outgoing car has been with us for about seven years now, which is the extent of the typical model cycle in 21st century Europe. The small amount of meddling with what has been an enormously successful model for Bentley makes it clear that if it isn’t broken, it shouldn’t be fixed.

Model cycles are something Bentley never used to be too concerned about - the now defunct Arnage being a case in point. That car could trace its ancestry back decades, beyond the Vickers era of combined Rolls Royce and Bentley ownership, and although it had a loyal following, all good things have to come to an end. It has been replaced by the Mulsanne, a four door saloon in the same mould but which manages to be even more imposing than even the mighty Arnage could manage. The car is enormous, pointing to its function as a car to be driven in but not forgetting that on some occasions, it will be driven by its owner. The ‘six and three quarter’ turbocharged petrol V8 remains, and this is a good thing as torque and effortless performance was never a problem for this powerhouse. In heavily-revised form, it now has cylinder deactivation and the ability to run on bio ethanol to decrease the car’s impact on the environment. A bit..

The biggest crowds are to be found around the Ferrari stand. This is nothing new at motor shows as Ferrari never disappoint with what they bring & at the Paris show they remain true to form. It’s a blessed relief to be admitted onto the stand to take a closer look at the 599 SA Aperta – the soft top version of the 599 Coupe which has been with us a few years now. It’s probably the only time we will see one, only eighty cars are to be made and all of them are sold. Featuring a light soft top roof, the car maintains the same distinctive appearance without managing to appear awkward as can often happen when decapitation is carried out some way into a car’s life.

A few changes have been made to reduce weight and ensure the driving experience is preserved. Unfortunately, we didn’t get a chance to try the car out and see if they had met their objectives here, but we will assume that the way the car drives will be adequate to those lucky eighty.







Enjoying a drink and canapé in the behind the scenes bar, there are opportunities to review the rest of the range on the stand, including a beautiful black 458 Italia. It’s always exciting to see something like this in a colour other than the ubiquitous red.

The options for personalisation of your Ferrari are incredible and hidden away at the back of the stand is the Atelier section where examples of exterior body colours, leather options and bespoke trim are on display. Nevertheless, if it isn’t red, it won’t hold value as well, despite the theory that those in other colours are actually better looked after by owners who put more time and thought into their dream car. And dream cars are what this stand is all about, no manufacturer better expressed this desire than Ferrari and this is reflected in the number of people standing on each other’s shoulders, pushing and shoving just to get a shot of something on their phone camera.

A trip to Ferrari cannot be considered complete these days without stopping off at Maserati for a look. Clearly the crowds agree, as it takes some time to make our way onto the stand with Maserati key in hand as a way to ensure admission is granted. And surely it is. Maserati’s fortunes really changed with the launch of the 3200GT over ten years ago and this essentially reinvented what was an almost completely dead builder of cars with a fantastic heritage, but no future.

The Maserati brand clearly held its head above the doldrums of the 1980s and 1990s as many people old and young are flocking to the manufacturer despite a great many of them possibly not really understanding what the trident badge was all about, in the same way they might with Ferrari for example.

The beauty of these cars speaks for itself. The range comprises the Gran Turismo, a four seater coupe of staggering prettiness that has recently spawned a 2+2 convertible version, the Gran Cabrio.

These cars themselves owe a great deal to the Quattroporte saloon, surely the most attractive four door car currently (or possibly ever) on sale. Maserati launched a stripped out, super sports version of the Gran Turismo at Paris, the MC Stradale, with a more powerful version of the Ferrari-sourced V8 engine ensuring that performance is boosted in tandem with the low weight. This particular car has a more responsive gearchange and looks fit for the track, a remarkable achievement for what is actually a very large car of some considerable luxury.

Of the marques considered here, Bentley and Maserati have enjoyed a turnaround from neglected, borderline bankrupt companies to some of the most highly sought after brands on this earth. It’s something Aston Martin has also managed to achieve, and if their stand is anything to go by, something Lotus have extreme confidence in doing also. Taking up a massive section of one of the several halls used at the show, Lotus chose to unveil some new cars..

For any manufacturer to unveil more than one new model at a show is remarkable, but for Lotus, even more so. That the cars shown appear so close to being production realities, whilst at the same time being jaw droppingly, staggeringly good looking, leads to the strange feeling that we’ve just walked into a dream. The new Esprit, Elan, Elite, Eterne and Elise all share a common design language which takes the cars way beyond the current range.

Just the name Esprit manages to make the hairs on the back of my neck stand up, but seeing the car in the flesh is like seeing a long lost friend. There are so many references to the previous car whilst at the same time a new confident appearance is sported.

This is backed up by the powertrain on display, a V8 petrol engine sourced from Lexus which has the potential for supercharging and some limited hybrid capabilities, which will be bolted into the carbon fibre tub. This is a game-changing car for Lotus because it takes the fight squarely to Ferrari and McLaren. If the way the car drives is as good as it looks then this will be a genuine alternative to the 458 and MP4-12C and will give both competitors something to worry about.

The new Elan shares nothing with the previous, troubled model from 20 years ago. This will be a car to take on the likes of Porsche’s 911, using Lexus power and sharing other technologies with the Esprit. Again, if the engineering is right this is a car that will race out of showrooms on looks alone. Close up, like the Esprit, it is desperately pretty, perfectly proportioned and screams at you to drive it. It’s parked next to the Elite, a four seater coupe of different intention to the mid engine sports cars on the stand.

Again, it has nothing in common with its 1970s namesake and Lotus will be striving hard to make sure that the ownership experience is without equal, because this model and the Eterne four door are cars to move Lotus from manufacturer of relatively expensive track day sports cars of niche interest, to a company that can see eye to eye with the other companies whose stands we paid pilgrimage to. Clearly, this strategy is working because in all honesty, without these developments we would not have paid more than a cursory glance to Lotus at Paris two years previously.

The show is crowded and our access passes are not of much use on the mass market stands which are free for all. Our cameras are not of much use here either, the sheer number of people present makes it very difficult to get any decent photos but for old times sake we can’t help but spend a large amount of time at Fiat’s beautiful stand.

The star of the show for Fiat is the new Twin Air engine in the 500. It’s the first time since the demise of the old 126 and Citroen’s 2CV 20 years ago that a two cylinder engine has been offered by a major manufacturer. This particular motor features the Multiair technology now being rolled out across the petrol engine range with turbocharging and balance shafts to overcome the inherent lack of refinement a 900cc two cylinder engine will produce.

This is not a problem for the Abarth 500. Paris was the first opportunity we have had to inspect the Abarth 500 convertible, available with semi automatic paddle actuated gearshift. The show car is striking in flat grey with two tone contrasts and quad exhausts and appeals to me in a way I can’t describe, other than it being akin to the feeling I used to get opening Christmas presents. Abarth also had an ‘EsseEsse’ version of the Punto Abarth, again in flat grey and sporting white, rally style wheels.

Whilst the inevitable focus at a French show is on the expertise of Renault, Peugeot and Citroen in making the best hot hatches, Abarth should not be overlooked. It’s refreshing to see how this sports brand is developing , particularly by contrast to Renault whose Gordini range is seemingly nothing more than a paint job and stripes..

You would expect us to talk about other important cars at the show, and there were many. Mercedes’ new CLS, Peugeot’s 508, the Citroen C4 and DS4, new VW Passat, Nissan’s Leaf

and Honda’s Jazz Hybrid. They are all there and all worthy of note. However, we ran out of time and wanted to concentrate on the cars that really deserve the headlines.

A blast through the tunnels of the Peripherique in much faster moving traffic than on the way in and we’re soon on our way back to the Channel Tunnel, this time with no clutch smell.
For those missing the UK’s motor shows, attending Paris is something definitely worth considering. The crossing through the tunnel was only £60 return and if you are determined you can make it there and back in one day, although it’s no hardship to spend the night in a nearby hotel. You might be advised to stay within walking distance of the show however, or consider booking a parking space or (ironically) let the train take the strain.

Otherwise you might find yourself visiting the Eiffel Tower instead..

Alex Wakefield

Auto Italia at Brooklands Museum - May 1st 2010

An annual fixture on the automotive show scene, Auto Italia is a major draw for all those with Agip coursing through their veins.

Alex Henry made his annual pilgrimage to Brooklands to take in the sights, sounds and smells.

This year’s Auto Italia at Brooklands was not blessed with such wonderful weather as last year’s event, which saw record attendance, but this did not stop the show from being another memorable one.

Despite leaden skies, another huge turnout of the nation’s Italian car collection made its way to the historic circuit, where it was greeted by an equally impressive gathering of car fans. The threatened rain did not last for long and a mouth-watering selection of cars helped to brighten up the periods where the sun hid behind clouds.

Mercifully (for some of the lower powered machinery) the runs up the infamous test hill remained dry, with a superb Iso Grifo leading the way, its massive V8 engine setting expectations for those that followed. All contenders made it to the top, with the biggest cheers from the crowd reserved for the plucky two cylinder Fiat 500s.

Another 500, this time of the modern, turbocharged variety was also piloted up the hill by Vicki Butler-Henderson of Fifth Gear fame, who was a guest of the event and her sponsor, dealer group Glyn Hopkin who had brought with them a stand and vehicles of their own.

Vicki spent much of the day signing autographs for fans in between test hill runs.

It was difficult to choose a star of the show but memorable cars included a spectacular period metallic green DeTomaso Mangusta,

an immaculate Fiat 500 convertible of 1960s vintage

and the first UK sighting of the new Ferrari 458 Italia.

As always however, there was an enormous collection of the more down to earth (and more affordable) cars that make this event such a leveller – everything from Max Power style Fiat Puntos to impossibly well-preserved 1970s and 1980s machinery that just doesn’t get seen anywhere else these days.

One of the unique features of the event at Brooklands is the setting amongst the sheds, hangars and aircraft displays of the museum, giving an opportunity for visitors to take a few minutes out of the world of wheels and tyres and spend some time in the world of wings and ash clouds, something that is included within the admission price.

The site is enormous and a great location for car spotting, people spotting and photography opportunities amongst the historic collection of aircraft and cars.

Further AutoItalia events are planned for 2010 and we hope to bring reports of these in due course.

Alex Henry - May 1st 2010

Chic & Cheerful - Fiat's Nuova Cinquecento finds a fan..

Unless you're registered blind or housebound, you cannot have failed to have noticed the steady influx of the cuddly new Fiat 500 onto the nation's roads.

This unashamedly-nostalgic reworking of Fiat's classic from the 50s has stolen the hearts of thousands of style-savvy motorists not just here in the UK but throughout Europe and even further afield.

Even BSM have chopped in their fleet of staid Vauxhall Corsas as they rush to embrace the cheap running costs and undoubted stylistic attaction of the little Italian bambino.

Everyone it seems is anxious to get into one of these fun-filled retromobiles, and contributor Alexander Henry is no exception..

Unlike many people, I was never a fan of the original Mini. Perhaps it was memories of being driven to school in musty smelling British Leyland era versions in awful colours with plastic seats, bouncing along on rusted out subframes, or perhaps something else. But I didn’t like them. The reinvented BMW version when it came along in 2001 didn’t stand a chance then. Although I wasn’t keen on Issignosis’ original I was at least able to recognise its place in motoring history, an important brick in the wall of car development – clever use of space, suspension, drivetrain and value for money making it accessible to most. The new one to me missed the mark totally. It was none of these things. It had room for the driver and front passenger and nobody else. Or their stuff. It was bloody expensive. It wasn’t really British even. And worst of all, it rapidly became adopted by legions of estate agents. The MINI (as it is now known) could do nothing more to make me hate it, despite reports of it being good to drive.

This whole retro thing, started with the Beetle, taken over by the MINI didn’t float my boat. Both of these attempts to recapture the youthful, swinging spirit of the original cars seemed to be excessively cynical. The Beetle, built for pennies on an outdated Golf platform in Mexico, and powered by a VW Transporter engine in the wrong place was never going to last surely? And then came the reports of Citroen reinventing the 2CV and FIAT the 500. Citroen’s claims arrived in the form of the lumpen C3, but FIAT came good on their word, previewing the Trepiuno concept which was clearly on the verge of crawling down a production line. This new 500 confused me. I wanted one.

The fuss died down, I still hated the MINI and its estate agent clients, the Beetle continued to look more and more ridiculous, and occasional reports of nuova 500 progress appeared in the motoring press. I rediscovered my love for small Italian cars at about the same time FIAT was doing this themselves, purchasing one of the first of the excellent Grande Punto models – the first decent small Fiat since the Panda a few years beforehand, itself the first decent small Fiat since the original Punto was launched. FIAT had discovered their mojo again. Finally, the nuova 500 was a reality. The press had their cars, James May test drove one on Top Gear and pronounced it a joy, and not being able to wait, I set to work on the Italian language car configurator, forming my ideal car. All of a sudden this made sense. I was transported back to my childhood – seemingly infinite variations of colour, trim, specification, stickers, brightwork, engines. No limits. Every engine could be had in every trim, every colour, every option. I ordered the teaser brochure. This in itself was a marvel – a glossy A5 sized ring bound funpad, with stickers to move about and reposition, overlays and colour swatches.

When they announced it was only going to cost £7,900 in the UK, it was clear that my relationship with the Punto was coming to an end. Not so my outstanding finance on that car however, so it had to wait. A trip to the dealer managed to assuage any fears of it being too small to consider but a test drive had to be put off until February 2009. With my girlfriend in tow (actually, she was just as keen as I and drove it first) we set off in a posh Lounge specification car, powered by the 1.3 diesel engine. The ability of the car was remarkable. It felt solid, grown up, well made and put an enormous grin on my face as it was thrashed out of creepy Crawley on a test route. I always say that the worth of a car is always clear once you’ve had it up on two wheels and this demonstrator did not escape. It showed it was a proper FIAT, responding to every demand in the way I would expect.

With a motoring history averaging one car a year over 13 years, surprisingly only two of them were brand new. Choosing a new Clio in 1998 and even the Grande Punto in 2006, was fairly easy if underwhelming. Set the budget, choose the colour and that’s about it. When sat opposite the dealer having completed the test drive and committing to purchase, actually choosing a 500 is really rather difficult. Much was made of the MINI’s umpteen million spec combination and the 500 is much the same. Start with a blank canvas and make your own choice. To be honest, this could have been very difficult for me. As most around me will attest, I suffer from a form of selection anxiety. I find it distressing choosing breakfast cereal in Sainsbury’s and often linger here for several hours. Choosing a multipack of crisps has much the same effect on me. It’s one of the reasons my local supermarkets recently started opening 24 hours. And to the best of my knowledge there are only 83 kinds of cereal and 52 types of crisps. I had 500,000 Fiat 500 specifications to choose from.

Fortunately I had been practising for nearly two years already, since the car was launched in Italy. Many an evening definitely NOT wasted, spent configuring, saving, naming and recolouring – all in the name of research and an eventual aim. So where best to start? Number one consideration was budget. I’m not wealthy. I work in Insurance. I have a company car already which is quite posh. It was always going to be the Pop version, the entry level car. Not only this but the Lounge model which is the next one up has horrid seats and a glass roof which robs headroom. I didn’t like the wheels on the Sport version. These concerns and a firm belief that a small Fiat is always at its best in basic, solid paint and wheel trim form started me off. When it comes to cars, I believe in a law of diminishing returns – the basic car is always worth paying for if it’s good. You drive the chassis, the engine, the brakes, not the trinkets. Trinkets break and fall off, get tarnished and don’t pay you back what you forked out for them in the first place. With a basic version you get most of what the car means, for the least outlay.

You also get nicer seats.

The 1.2 petrol engine was chosen. This was the same motor as in my Punto, which was quite a lot bigger. It did the small FIAT petrol thing perfectly – loved to rev, sounded great, provided pace that belied its miniscule power rating and rewarded being driven HARD. In the 500 it’s a revelation. This engine is actually really old, but here it is clean, refined yet fizzy and economical. It’s the only motor to emit under 120 grams of CO2 and thus place it into £35 a year tax country, unless you include the diesel. A diesel in cars this size is always a false economy so this was rejected. It was always going to have the black ambience – steering wheel, seat belts, dash trim and inserts and seat tops and despite worries about stains, the red seats.

What colour outside? White. The only free colour. And the colour that works best. Everyone else seems to agree, literally every other one I see is finished in this colour. The car was ordered 14th February and duly Christened Valentino. I’ve never named a car before. I don’t think I have ever admitted in public that I have now done so either.

Valentino was delivered the day after my 30th birthday and we celebrated together with a tour of the South coast – Portsmouth and the Isle of Wight. Everywhere we went, the road ahead was scanned for other 500’s. Every one we spotted was flashed and (nearly) everyone waved back. This is a game I play over 6 months later and I never tire of it. It seems the 500 makes people smile. A Spring outing to the AutoItalia festival at Brooklands brought an enormous amount of pleasure with Valentino being parked with dozens of other cars, driving through the crowd thronged event on a beautiful sunny day sandwiched between Ferraris and Lamborghinis is something I will never forget.

The funny thing was that this modern interpretation of the original 500, a car which has a passionate following, was never questioned. Many an Issignonis Mini can be spotted wearing a ‘100% BMW FREE’ sticker. I’ve never heard nor seen any unpleasant comment from the original 500 brigade, despite the new one’s engine being in the wrong place, Beetle style. In fact, at Brooklands, new and old were parked up together like boys and girls at a primary school barn dance, only voluntarily.

The new 500 is a marvel. It’s £3000 less than the cheapest MINI. It’s smaller, yet has more space inside. It’s cleaner, more accessible and isn’t identified with hateful estate agents. OK, it’s not perfect – the ride is a little bouncy, the steering has no feel to speak of and some of the components feel a bit cheap but the return on the investment is staggering. And confidence must be high – BSM recently agreed to replace their entire Vauxhall fleet with the little FIAT and this can only be a good thing for residuals, with demand for used examples surely being pushed up by new drivers with wealthy parents looking to buy their offspring something they feel comfortable in. I’ve only seen girls learning in them though, which makes me wonder – how come I never feel at all.... metrosexual driving this car? How come I see so many blokes driving them and how come so many blokes seem to be driving powder blue examples? This is something I can never explain, although I did note that every original 500 I see is being piloted by a man, generally with a large beard.

Alexander Henry